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English Corner

http://findingaids.loc.gov/

http://www.digitalpreservation.gov/videos/waldseemuller/index.html

A message to all members of Open Access Week

The largest, most successful International Open Access Week yet has just come to a close. With just under 900 participants in 94 countries, this year’s event was no less than three times larger than it was just a year ago. Hundreds of videos, photos, blog posts, and more were released to promote and highlight the benefits of Open Access to research and take the conversation even more deeply into the research community – and they absolutely did.

We could celebrate the week as a success in numbers like these alone, but the numbers really only tell part of the story.

The increase in diversity of participants is even more telling. Started as a student-driven event in 2007 with support from SPARC and the library community, Open Access Day was at first a library-centric affair. Having grown in recognition and participation every year since, in 2010 we truly began to make deep inroads into the academy.

The student stake in the conversation on access continues to grow more firm, but this year participants from the academy – including humanists, climate change scientists, provosts, research funders, Nobelists, and lawyers – really took advantage of the occasion to share their insights on how Open Access has had an impact on their work and lives.

Nobel prize-winning scientist and director of the U.S. National Cancer Institute Dr. Harold Varmus participated in the official OA Week kick-off event, saying, with respect to where open-access publishing has reached and what’s now possible: “All of these adventures are tremendously exciting because they markedly enrich the experience of being a scientist, of reading the work of others, and of exchanging views with others in the scientific community.” Dr. Varmus’s comments are online at http://vimeo.com/15881200.

In his video, Dr. Nico Sommerdijk, associate professor of Chemical Engineering and Chemistry at the Dutch Eindhoven University of Technology, expresses a need for moving beyond traditional publishing approaches to share data. He made his research data openly available so that now, “Everybody can access [the data set] directly with one click of your computer mouse. People may use the same data set for things that we were not looking for and so generate new science with the same scientific data set.” (http://www.openaccessweek.org/video/open-access-of-data-generates)

The stories that were shared are inspiring, but so was the creativity of the delivery.

In Portugal, the Polytechnic Institute of Santarém held a portion of their Open Access Week program in Second Life. (http://www.openaccessweek.org/xn/detail/5385115:Event:9662?xg_source=activity)

Students at Boston University made a video to illustrate that studying without access to the resources you need is like having half a sock to wear, half a hotdog to eat, or half a book to read (http://www.openaccessweek.org/video/open-access).

And, in Open Families (http://www.arl.org/sparc/openaccess/openfamilies), scientists relate in personal and compelling terms how Open Access to the research and data they produce, as well as that produced by others, is not just a professional cause for them but a family affair.

All these contributions to the conversation – in writing, photo, and video – are a fantastic resource that will help us all to continue the conversation over the course of the year and beyond, and are a sure sign of the growing momentum behind Open Access Week. Of course, the growing size and power of the global network also continues to impress.

Open Access Week 2010 was also a great reminder to us of the work and opportunities that lie ahead. We’ve isolated a need to dig deeper into the academy and find ways to meet faculty on their own terms – to find ways to bring Open Access Week, so to speak, to campus every day of the year. While we’ve made crucial advances, we’ve only just started to make the inroads needed to engage the community of scholars and researchers.

We’ve made fantastic progress, with awareness-raising around Week and with advancing Open Access as a new norm in scholarship. Congratulations to every single person who worked so hard to ensure the success of the event – locally, regionally, nationally, and globally. And, thank you.

SPARC also extends special thanks to the members of the 2010 Open Access Week program advisers (http://www.openaccessweek.org/group/programadvisers), SPARC members (http://www.arl.org/sparc/member), and everyone we’ve had the pleasure in working with this year. Thank you.

Naturally, there’s more to come. Watch for more OA Week round-up materials from SPARC, including more videos, throughout the week. And, course, there’s Open Access Week 2011 to look forward to! We'll look forward to seeing you at www.openaccessweek.org then.

Warm wishes,

Heather Joseph, Executive Director

Jennifer McLennan, Program Director for Open Access Week

On behalf of the 2010 Open Access Week Program Advisers


Visit Open Access Week at: http://www.openaccessweek.org/?xg_source=msg_mes_network

http://wwmm.ch.cam.ac.uk/blogs/murrayrust/?p=2666

http://news.library.cornell.edu/news/101020/hathitrust

See also on HathiTrust's Copyright Detectives
http://www.libraryjournal.com/lj/home/887388-264/hathitrusts_copyright_detectives.html.csp

http://www.smithsonianmag.com/history-archaeology/A-Viking-Mystery.html?c=y&page=1

In Germany, library blogs (bibliothekarisch.de is listing them) are buzzing with talk of the Augsburg State and Municipal Library. The library is threatened with closing, its collection to be divided among other libraries.

The Augsburg State and Municipal Library is one of the oldest municipal research libraries. Founded in 1537, today it has a collection of c. 530,000 volumes. With over 3,600 manuscript volumes, including 1,000 medieval codices, 2,800 incunabula and roughly 100,000 titles pre-dating 1800, the library numbers among the largest Late Middle Ages/Early Modern collections in Germany. Within its function as a regional library, one of its main responsibilities is the collection and cataloging of literature on the region and its leading figures. The library is also affiliated with the Brecht-Haus and the Brecht Research Center.

The building in which the library is housed is in urgent need of renovation, but the city does not have the funds for this and the State of Bavaria does not wish to contribute what is needed. In general, the people of Augsburg are no longer satisfied with the agreement made between the city and the Free State of Bavaria in 1897: though a good portion of the library’s collection belongs to the Free State, Bavaria does not meet its share of the costs. And in these financially tight times, they no longer wish to. So now the state is contemplating whether to close the library and distribute its collection to other libraries. That part of the collection that belongs to the city of Augsburg will go to the Municipal Archives, and those volumes belonging to the Free State of Bavaria will go to the State University Libraries of Augsburg and Munich. Which, incidentally, are not enthusiastic about the move, as they have no room to house the extensive collection. In addition, with a large number of the books it is unclear who owns what. What is clear is that the majority of the collection belongs to the city, whereas the most important works of the collection belong to the state. This could mean that major works will leave Augsburg for Munich, which in turn would damage the reputation of Augsburg as a research center.

A closer look at the coverage gives the strong impression that this is about a political struggle between city and state. It can only be hoped that the library won’t end up as a victim of this struggle.


Source: http://blog.goethe.de/librarian/index.php?archives/335-Bibliotheken-in-Gefahr.html

Augsburg City Library in 1623 (building at the left side)

FYI France: online "Actes Royaux" at the BnF, seeing history

There are many wonders to be mined, online at the BnF's digital library, Gallica. As exciting as the original announcements of these large-scale digitization projects were, their steady development and enormous growth since, as-revealed by regular re-visits, can be even more impressive.

The other day, for example, re-visiting Gallica I stumbled upon something the BnF calls "Actes Royaux": ordinances, announcements, commands, "édits" and "harangues", declarations and decrees of the French State, stretching back to the 16th Century... now online...

This is the Ancien Régime, and the Age of Absolutism, the infamous "lettres de cachet" which led to the Bastille, the internal workings of the Châtelet, the governance of Old Paris -- and Louis XIV and his many wars, and their glory, and what it meant to be a wounded soldier of one of those, caught stealing, or begging, in the Paris streets...

How the whole state enterprise actually was run, the legal and administrative history -- but also French printing history, back nearly to their Age of Incunabula and the many deep and broad changes early printing brought to French government and social and political life, the raw matériel of same...

All available in an online digital fulltext collection at Gallica, now 3168, oops now 3173 documents-strong, and growing:

http://tinyurl.com/28wkntv

At that web address you now can, literally, walk through French history and law -- these are wall posters, the notorious "placards", and leaflets produced for the government by famous printers such as the shop of "R. Estienne", broadsides, working documents of the national "administration" bureaucracy -- you can choose your favorite 16th century topic, say "Armée", and there the documents themselves are, now, hundreds of them, in their originals or very nearly, available for you to sort by various criteria and study, as you might have walking down a street in 16th century France.

Doing so now from Tasmania, or Chennai or an airport or even on an airplane, or on-board a TGV zooming past Cluny -- or in the bathtub, the way Marat did -- wherever your French Studies laptop or iPad or iPhone happens to be... just don't drop your iPhone into the bathwater, and watch your back...

Sample entries: something for everyone, and remembering that a click now gets you to the fulltext image "originals" --

* the founding of royal academies --

Auteur(s) : France
Titre conventionnel : [Acte royal. 1713-02-00. Marly]
Titre(s) : Lettres patentes... qui confirment l'établissement des Académies royales des Inscriptions et des Sciences. Avec les règlemens [des 16 juillet 1701 et 26 janvier 1699] pour lesdites deux Académies.*.. Registrées en Parlement le 3 may 1713 [Texte imprimé]
Publication : Paris : Vve F. Muguet et H. Muguet, 1713
Description matérielle : In-4°, 12 p.
http://tinyurl.com/27k89o3 -- or,
http://gallica.bnf.fr/ark:/12148/btv1b86023288.r=Lettres+patentes+
qui+confirment+l'%C3%A9tablissement+des+Acad%C3%A9mies+royales+des+
Inscriptions+.langFR

* speeches -- Henri III speaks, at Blois --

Titre : Harangue prononcée par le Roy en l'assemblée générale de ses Estatz, en la ville de Bloys, le... 6e jour de décembre 1576
Auteur : Henri III (roi de France ; 1551-1589)
Éditeur : J. de Lastre (Paris)
Date d'édition : 1576
Sujet : Blois -- États généraux (1576) (Actes royaux)
Sujet : États généraux (1576 ; Blois) (Actes royaux)
Format : 23 p. ; in-8
Description : [Acte royal. 1576-12-06. Blois]
http://gallica.bnf.fr/ark:/12148/bpt6k104342b.image.f3.langFR


And now -- very interesting for any library -- these images are showing up in the OPAC... The "digitization project" and the "library catalog" at last are meeting, online -- you now, and I suppose and hope increasingly, can see full bibliographic - standard catalog records alongside the images, and images in the catalog records!

Example: online fulltext in the OPAC "catalog record", now, not just in the "digital imaging project" Gallica --

Louis XV ; France. Déclaration concernant les gages attribuez aux officiers gardescostes de la marine... Registrée en la Chambre des Comptes le 7 juin 1720 (Paris : J. Saugrain , [s. d.]) Acte royal. 1720-05-03. Paris ; In-4Ê , 4 p. ; Sujet(s): Bohémiens (Actes royaux) ; online fulltext at the BnF : http://catalogue.bnf.fr/ark:/12148/cb338352325


Many of us have been wondering when these two might meet -- nowadays, after all, they're all just digits -- so it is "media convergence", alors, finally!

Believe it or not, in the past, the OPAC was one digital generation while the "images / digitization project" was another and somewhat-younger bunch -- both pony-tailed, but the first already-graying while the second was still-blonde -- and the turf wars were legendary, back when office space for "computers" still was considered an oddity, in a "library" -- many noticed the need for, in classical American tech-feuding terms, "the farmer and the cowman must be friends"...

A salutary solution, in the Gallica / Opale situation: wonderful, now, to be able to view both the complete bibliographic catalog record and, on or at least via the same webpage, the digitized online fulltext of the original document...

The one so often validates the other: not-so-fondly recalling the early OPAC wars -- back when the scribbled 3x5 cardboard card was considered indispensable and infinitely superior to anything so obviously-ephemeral as to be merely "digital" -- and digital fans laminated library walls with remnants of the old cards, while digital foes wagged fingers and warned of the loss of invaluable librarian "Notes".

Well, now not only are the "Notes" there, they are right next to readable fulltext images of the documents themselves! What an improvement, in intellectual access, what a step up and forward for the librarian's professional contribution -- kudos to the BnF! And what, potentially (?), a saving for the much-harassed library finance officer, seeking a nickel or two to save in "OPAC" / "imaging project" duplication! We'll see...


--oOo--


And now translated excerpts, from a good article by the BnF's Gilles Baudouin explaining the BnF's "Actes Royaux" project described above -- the article appeared in January, in the interesting & useful "Blog lecteurs de la BnF" cited in the URL:

http://blog.bnf.fr/lecteurs/index.php/2010/01/08/
les-actes-royaux-une-collection-particuliere-meconnue/

Les actes royaux : une collection particulière méconnue

"The Actes Royaux: a little-known collection"

[tr. JK, excerpts:]

"The Actes Royaux are administrative decrees, or collections of them, emanating from the sovereign; issued by the conseil du roi, the chambre des comptes, cours des aides, cours des monnaies, chambre du trésor et du domaine...

"The acts in the Collection extend from the 16th century, with King Henri II, to the reign of Louis XVI and the birth of the French Revolution.

"From the beginning of the 16th century, certain French printers published some ordinances and collections of royal acts.

"At that time, these items went into the private collections of learned gentlemen and so, paradoxically, did not become a part of the Bibliothèque Royale.

"But in 1652, the brothers Pierre and Jacques Dupuy, at the time curators at the Bibliothèque du Roi and owners of one of the finest and most representative collections of Actes Royaux, willed their precious trove to Louis XIV, a gift which led to regular additions to the royal collection...

"At the Revolution, the library, having become "national", enriched itself considerably via the efforts of Conservateur des Imprimés Joseph Van Praet, drawing largely upon the collections placed into dépôts littéraires and confiscated from religious communities, certain civil institutions, and émigré nobles.

"Following the Revolution the collection did not increase, with one exception, the acquisition of Actes Royaux from the first half of the 16th c., held now in the Réserve des livres rares.

"Where to find these Actes --

"The collection of Actes Royaux of the Bibliothèque nationale de France is divided between the department of Droit économie politique (cote F), the Réserve des livres rares (cote Rés. F) and the departement of Philosophie, histoire, sciences de lÿÿhomme (cote L or M).

"The collection... is entirely cataloged -- 42,369 items -- in a series of 7 volumes, edited between 1910 and 1960, within the Catalogue général des livres imprimés de la Bibliothèque nationale.

"A group of these texts, held at the departement of Droit économie politique, now is being digitized as part of the digital library Gallica.

"This is the 'série générale des recueils' assembled prior to 1886, which contains Actes from different periods and emanating from a variety of jurisdictions."


[For anyone interested in the BnF Actes Royaux collection qua collection: the above-mentioned series of 7 printed volumes offers a precise and excellent Préface, in Volume 1 at pages i-lvii, explaining the history and structure of both the collection and the cataloging project, written by the original series editor Albert Isnard. And, interestingly, the initial reign-specific entry included in that volume's list describes a
1 bis item from Dagobert Ier, a decree "de fugitivis" issued "en faveur de l'abbaye de Saint-Denis".*.. Or maybe it wasn't: "diplôme faux", the entry reads... So the early French kings faced spammeurs, too... JK]


--oOo--


Note:

"Worth a journey", like so many things in France -- one far better-informed, these days, and useful & productive & enjoyable, for being on the Ouebbe...

The Ouebbe qua encyclopédie, maybe, like Wikipedia: no equivalent of the originals, but the closest many of us can get, and an incentive for going further, for a few, and a much-improved preparation for the eventual Grand Tour voyage.

If we ever are to "preserve" such documents, we need to show others why they are worth preserving, and the Ouebbe is a wonderful tool for that -- as the BnF, once again, demonstrates superbly here.


Jack Kessler, kessler@well.com


--oOo--


FYI France (sm)(tm) e-journal ISSN 1071-5916

*
| FYI France (sm)(tm) is a monthly electronic
| journal published since 1992 as a small-scale,
| personal experiment, in the creation of large-
| scale "information overload", by Jack Kessler.
/ \ Any material written by me which appears in
----- FYI France may be copied and used by anyone for
// \\ any good purpose, so long as, a) they give me
--------- credit and show my email address, and, b) it
// \\ isn't going to make them money: if it is going
to make them money, they must get my permission
in advance, and share some of the money which they get with me. Use of material written by others requires their permission. FYI France archives may be found at http://listserv.uh.edu/archives/pacs-l.html
(PACS-L archive), or http://www.lib.berkeley.edu/Collections/FYIFrance/
or http://www.fyifrance.com . Suggestions, reactions, criticisms, praise, and poison-pen letters all gratefully received at kessler@well.sf.ca.us .

Copyright 1992- , by Jack Kessler,
all rights reserved except as indicated above.

http://rufuspollock.org/2010/10/11/papers-on-the-size-and-value-of-eu-public-domain/

http://web.resourceshelf.com/go/resourceblog/61246

Knighton town clock

 

twoday.net AGB

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